Sunday, May 19, 2013

Working With MC's and Artists


For a large portion of the day we've been working with the mobile, video on demand portion of the CPirateNetwork. Being on the cutting edge can make the task quite daunting as we find after talking with Livestream that only previously recorded live content can go into the library.

Couple that together with the fact that we're an indie startup company independent from big record companies and sponsors and the voluntary work load can become staggering. Did I mention this is a bootstrapped operation operating on a $000,000.00 budget?

Now what's really dumbfounding, is a lot of the MC's haven't got a clue of what the impact is of what we are doing! Their so busy preening and styling that they are asking a network "well how many followers do you have?" Duuuhhh!!!! (we're a network not a show) We started out promoting Jerk music from the Rangers a young Jerk group from the West coast that could get NO AIRPLAY on the East Coast. A system was put together totally bypassing traditional means of broadcast, via radio and TV which can only cover a certain geographical area in favor of internet streaming which can be ubiquitous over an entire planet.

Placing videos on air was just a proof of concept and by all means not meant to be the channel content. What we are doing is making an infrastructure to support Jerk, Hip Hop, UK Hip Hop and African music artists that may be political or different and not get any exposure to the masses otherwise.

In the last couple of months we've been pioneering the stream to mobile devices, to garner a higher penetration into modern day technology. 

Alas the final piece to the puzzle that frustrates IMG as well as proponents like @AllReal_HipHop +Mystakarta @OfficialStyler and @prophecyent, should we really be expected to create the vehicle and populate it with fans and followers too? Or do the MC's concerned about the freedom of Palestine, the transgressions of Big Brother and Corporate Machine not know how to communicate with their followers and say, "Look an HD streaming broadcast network is airing our content freely to computers and mobile devices...WE HAVE A VOICE"?

Monday, May 13, 2013

What Is M.I.S.R.W.

M.I.S.R.W. Music Intelligence Submarine Race Watching is program developed by the CPiratenetwork to get underground music artists videos out to a worldwide audience.



What we've noticed is that since the Occupy Wall Street Movements collapse, many in the music industry have followed suit and gone into "dumb it down mode". The industry faced with drastic cutbacks and is resorting to the "copy what sells mode, don't try anything new". 

Well in our move to get underground Hip Hop, Reggae, Dancehall and AfroBeats artists out and social with their music, we've started the "Music Intelligence Submarine Race Watching" show where we race around the globe broadcasting their music videos in HD from undisclosed, underwater locations Worldwide.

You can see our shows live, and the archive's on the Livestream platform at: bit.ly/cpngetjuiced here's a promo from our show -


Tuesday, April 23, 2013

Attempt To Bring Underground US/UK Hip Hop Into The Realm Of Social Media Worldwide



With the help of our buddy in the UK, "Hip Hop 4 Change" we're getting the information out to the top underground MC's in the UK and then we can see given this information where they want to go with the ability Ikohaus Music Group can afford them.

We're looking for the Top US/UK Underground MC's and Hip Hop rappers to place their videos on the channel for just $1/video to keep things going and have ONE HD Network for all their fans to keep with the latest. So if your name is listed below, don't 【✖яєтωєєт✖】start submitting your videos and tell your fans to tune in, or our support is gone! 

St Laz: @StLaz 
Music: https://www.youtube.com/user/pottersfieldkid

Samson Blackaveli: ‏ @BlackTheRipper
Music: http://www.youtube.com/user/BlackMagikTV

Klashnekoff: @Klashnekoff
Music: youtube.com/klashtv

HAZE: ‏ @HazeTheTruth
Music: http://WWW.HAZETHETRUTH.COM

Crazy Haze: ‏ @NazayHaze
Music: http://www.youtube.com/watch?v=52IW4MhA1kE

Cyclonious: ‏ @Cyclonious
Music: http://www.youtube.com/user/bravestarh/videos?view=0

Shadia Mansour : @shadiamansour
Music: Various places (yt search)

Ibrahim Sincere: @IbrahimSincere
Music: http://www.youtube.com/watch?v=53z_LdCi_v4

Prof.hit: @Profhitmusic
Music: http://www.youtube.com/watch?v=CvvR0BGH1n0


Amy True: ‏ @Amy_True
Music: Various (Globalfaction, NateMusicTV Ect)

English Frank ‏ @englishfrank
Music: http://englishfrank.com & http://www.youtube.com/user/englishfrank

General Ashlon: ‏ @General_Ashlon
Music:  http://www.youtube.com/user/GeneralAshlon?feature=

S Kalibre: @S_Kalibre
Music: Various (YT search S Kalibre) 

Real Sounds Official (Group):  ‏ @RealSoundsEnt @omair_sm, @zenmahmood, @bigreee, @kissmy_az @adnaan808
Music: https://www.youtube.com/watch?v=dM25Wf3TuKc

Caspa: ‏ @CaspaMC
Music: http://www.youtube.com/user/Hoodghosts1/featured

Shay D:‏ @shayduk
Music: http://www.youtube.com/user/shayuk09?feature=watch

Raphael: @Raphael_RWAC
Music: http://www.youtube.com/user/Mystakarta?feature=watch

Tory Town Poets: ‏ @ToryTownPoets
Music: http://www.soundcloud.com/torytownpoets

Ky: @KY_Official
Music: http://www.kyofficial.com/

Ricky Benang: ‏ @RickyBenang
Music: http://www.youtube.com/user/RickyBenangOfficial?feature=watch

WiseRap:‏ @wiserap
Music:  http://www.youtube.com/Vulks83

Broken Dialect: ‏ @BrokenDialect
Music: http://brokendialect.bandcamp.com/


The problem with underground UK Hip Hop is not that it isn't real, or the accent is not correct for American ears, it is that it's reach does not extend much outside of it's UK borders. To be able to do this in the socially connected world of 2013 calls for a unified approach.

Trying to acquire a Worldwide reach on an individual basis can be quite daunting. Without a means of channeled, network exposure that would allow a body of artists with a body of work to reach a potential audience can be frustrating to say the least. Radio time is quite expensive and must be supported by sponsors who use the content to get their audience to buy their products. So if you're doing a typically radical underground political sort of content, they may deem it is not very saleable from a corporate standpoint of view.

What if an infrastructure was set up to support multiple like minded artists, from an ethical standpoint of not to sell a product, but rather to support a cause? What if the business model was set to be artist supported rather than commercially sponsored and not make huge profits, but rather to keep the model going, pay for the services and to provide a space for the artist to link to their saleable work? At the same time be advanced enough to bypass traditional means of mass communication, be scalable, have the ability to broadcast out to multiple devices in HD and use social means to communicate to current and potential fans?

Saturday, April 20, 2013

Can Social Media Internet Technology Further A Transglobal Music Agenda?

We have done this before with transglobal internet collaboration of art with Ikohaus [carefully archived from 2009 for us by archive.org], but that was only four artists working between Australia, Italy and the US. Now our issue is how to put in place an infrastructure that we've created to promote and distribute a new music form from Kenya known as "Mizuka" (Kenyan - something fresh, new style).

There are a vast number of unrecognized artists from Kenya doing a new type of music, but because their interpretation doesn't fit the commercial success formula of copying what African Americans are doing in the US, they lie languishing in local performances and distribution of their music.


Ikohaus Music Group in conjunction with Bamzigi of #3050 music have formed a joint venture to do something with this new music outside of the usual big corporate control. One difficulty to surmount is the sparsity of a broadband infrastructure in Kenya with a reach to the general populace. There, the possibility resides with the new initiatives of Microsoft in their development of "white space broadband" being deployed already in Kenya.

What the aforementioned initiative will portend for our musical collaboration, will be a more optimized penetration vehicle for the actual country producing the music to be able to download and view the content we will be producing. Right now our flagship service CPirateNetwork has already re-focused it's format of HD streaming broadcast to Kenyan Mizuka music music primarily as the HIp Hop, UK Hip Hop and Jerk genre convulses to the stick and golden carrot approach of the corporate music industry.

Now it seems as the popular musical genres flounder in the race to become mainstream acceptable, the underground tenets of the 60's necessity of invention resurface to play a vital role in the emergence of this new music form.  

The direction I see is very clear. No longer is there a need to rehash the Hip Hop education of the people via music. No one wants to learn about the corrupt strife of the world in song. The news of the world now permeates every nook and cranny of news feeds, blogs, tweets, posts and broadcasts while fans wonder about the same bleakness of drab Uk Hip Hop videos taken in slum, war torn like backdrops.

Now the UK artists like the Americans have discovered playing music in the clubs at $10-$15 a head is where the money is if you can make $800/night singing about how there should be a Palestinian homeland. The trouble with this purposed rebelry is that the mainly white audience like the old coffee house beat generation is only there to enjoy music and will probably not effect any change and just go about their normal 9-5 job the next day exhilarated by how "cool" Big X was with his military style hat cocked over his eyes and spouting profound verbiage of wrongful suffering on his way back to his heated flat.


1st President of Kenya
So that's where we're excited about being a part of a new music form from a relatively new country like Kenya that got it's independence from the same throes of UK dominance  as where the rappers are from and have a just newly elected President Uhuru Kenyatta, related to the first President of Kenya Jomo Kenyatta.

The joint venture between Bamzigi of #3050 music Kenya and BlackCaesarX of the US has in it's similarities the early musical history of the United States when it's first and only form of contemporary music formed was "Jazz". Maybe "Muzuka" will be Kenya's Jazz but we'll just have to wait for the future to arrive to find out.

Friday, April 12, 2013

Is There A Return To Underground Music?


If you've had your ear to the ground in Hip Hop music, Jerk, Dancehall and Kenyan Mizuka music, you may noticed a delineation and separation into two distinct camps. Commercialized and Underground. The Little Wayne, Big Money factor has swept across the landscape like the Ice Age. Slowly but surely creeping into the cracks and crevices of Jerk music as well festooning the 2 (gold) Chainz scenery of modern era Hip Hop.



Wide gaping fissures have torn apart the once solid bedrock of original and true art form of Hip Hop to expose the rude rowdy exhalations of, Bitch, Hoe and the *N word that got Imus tossed for using them to describe a Woman's Rutgers basketball Team. The same Rutgers whose school has since been plagued by other sociopathic tendencies from an erstwhile fired men's basketball coach.

On the other hand the Jerk movement has been stalled by the unwillingness of any venues or promoters to back this youth oriented music. They feel the movement lacks financial clout. Meanwhile the artists adorn themselves, hawking footwear and counterculture tee shirts and hoodie clothing made by cheap, crass, mass marketers making a quick buck and paying them just enough shekels for the artists to get a couple of gold teeth, buy a drink of Patron, a lap dance and throw a few hundred singles at some pole dancers to show that they have arrived.



To the rescue comes the underground music scene. Not since the 60's and 70's has the underground music genre taken such a hold on scores of fans. Personally I believe this movement was a signalling of the discontentment with the status quo of the music industry and a harbinger of things to come with the advent of Occupy Wall Street that disclosed the rest of corporate greed and misdoings starting with Enron and the upsetment within the music industry caused by Napster's pulling the curtain open on the great and all powerful Oz.

Leading the charge once again with the resurrection of real and true Hip Hop is the United Kingdom. They always seem to take downtrodden unrecognized American music and see it for what it is really worth out of the shady racial stereotype of mainstream America.

In the wings waits the nascent African, Kenyan Mizuka music scene. An indigenous form of East African and dance style music that is gaining ground steadily especially in the Euro countries like Germany and the Netherlands and well as the US. 

Whether this vanguard can pull it off remains to be seen. Ikohaus Music Group has gotten involved on the scene by streaming this underground music worldwide. Even going so far as having live feeds circumvent traditional airwave radio stations, broadcast TV and cable directly to computers, iPhones and mobiles.

UK Hip Hop and African Mizuka music has appeared to be very skeptical on the uptake knowing that they are now being provided that long sought after reach and world wide penetration. The young upstart fresh Jerk artists who shun the gold but are more from the gangsta style seem more apreciable of what changes are shaking up in the new video distribution model.

It all remains to be seen what the future direction will take, or if the two to three musical style can find a means to coexist. 


Monday, April 1, 2013

The Future Of The MP3 Download

Since the inception of Napster 13 years ago mp3 sales have been slumping. Currently the major swing in upcoming artists is giving music away in hopes as Mystakarta alludes to in an article he wrote 3/26/13; of being recognized by the "BIGS" Sony, Universal (UMG) and Warner. 

We were working with a music aggregator to get under-recognized African new Mizuka music from Kenya, Hip Hop, underground UK real Hip Hop onto iTunes, Amazon, streamed etc. But have run into a few glitches in the legal department. Looking forward to a breakthrough there as that scene starts to heat up. Sony is already in that space on the African continent, but as usual is just regurgitating the jazz and pop sounds that the rest of world is doing, with nothing innovative.

That's where we looked to take a new innovative tact. We know that video, is in the in medium. No one really listens to CD's anymore, mp3 downloads are now starting to follow suit. It's all about videos, we can watch listen, learn and enjoy almost anything there. So what if an artist of almost any medium were to release exclusive content not slated for YouTube and make it premium content? Hmmmm we might have something there.

If artists can change their free mindset, their very best new and original material could be made into video downloads and the fans would not only get to hear the hi-quality audio, but with the prevalence of very hi-quality videos being made in abundance, have their fans see them perform at the same time.

That's exactly what Ikohaus has done. We'll take your premium content original music video, formated in .gpp for mobile consumption and make it available to your fans via direct email link, PayPal backed buy button or web link. We will be rolling it out to a few select artists, but if you would like to find out about how you can. Drop us an email to ikohaus@gmail.com

You can also try a live download. There is a $1 cost so you may see the full mechanics of how your fans can purchase your premium content at the price you set:


Ikohaus Music Video Project
Edenwald The Rock
5:30 mins $1.00 - PayPal
 

Wednesday, March 27, 2013

Hip Hop – Whose Voice? By @mystakarta

Published on March 26th, 2013 | by gareth
This Blog is guest written by @mystakarta

What we now refer to as reality rap or conscious rap is not a new thing. In fact, it is the returning to the origin of Hip Hop where the microphone was used to awaken those around the MC to the struggles faced by an oppressed people. The problem I see is that we have had to “return” to the origins of Hip Hop. To me, that says Hip Hop left the righteous path somewhere along the lines… But when did it happen? And more importantly, how can we prevent it from happening again?

Back in the late 80’s, Hip Hop was first beginning to receive mainstream attention. This is at a time when the most popular group amongst the youth was Public Enemy, who spoke of racist oppression, lies portrayed by the media and the importance of truth. The very same topics that make our favourite artists such as Akala, Logic, and Mic Righteous, to name just a few, grow in popularity every day. But somewhere along the lines, the righteous message of Hip Hop became a message of violence, murder, materialism and sexism. This is an image that still for many people in the world actually DEFINES Hip Hop!

Where did it all go wrong?

In my opinion, there was a deliberate action taken by the media companies, both here and the US, to silence the voice of rebellion against oppression, without anyone realising they had stopped rebelling.

Groups such as N.W.A were promoted by massive media companies and given the spotlight as the focus of the Hip Hop generation. Young minds that looked to music for guidance were given video after video showing guns, violence, drug use, and materialism which then defined the moral values of its audience. Kids from all walks of life grew up with the “Gangsta Lifestyle” of drug dealing, sexism and violence towards their fellow man, what you could call a rebellion towards each other, as their primary goal in life. A life defined by what you own, with no regard for how you treat others…

This had a snowball effect… Pretty soon, in order to compete in the media, you had to be bringing the hardest and most violent lyrics possible. Song after song about killing people living in the same situation as you were released and the murder rate in socially engineered ghettos sky-rocketed. Grown men on the street were killing each other over money, women, drugs, cars and even trainers! All just to feel like they were living the “Gangsta” lifestyle provided to them by Time Warner and Viacom.

We need to understand that the media companies are run by a small handful of people who fear nothing more than an educated public capable of critical thought and rebellion against their racist and classist agendas. What allows them to continue to spread this message of hate is nothing more than our compliance. By the very act of listening to the lyrics promoted by these mass-media outlets our consciousness is changed, our attitude towards each other as human beings changes and most importantly, our DEFINITION OF SELF changes.

This is not an accident, the media has been used in this way since its conception… What has changed however, is the power that the mass media companies wield upon our daily lives.

With the ever growing popularity of the internet, independent artists now have a platform to be heard by the whole world and the mainstream media is rapidly losing its grip on the minds of the youth.

Artists such as Mic Righteous and Black The Ripper have both recently smashed the iTunes charts, beating established acts who have the weight of the mainstream media behind them while remaining independent. Things are going strong at the moment, reality rap is growing every day and I can see 2013 being a massive year for the movement, however, we must not become complacent…

Eventually the elitist media companies are going to realise how much love, support and truth is provided by the movement towards the less fortunate of the world and make a move to destroy it.  We CAN’T let this happen a second time round.

 We must all stay loyal to truth and not sell out to a corporate agenda, no matter what material wealth is put in front of us. Realise that to the power hungry, money is never an issue. To them it is a means to an end.  What is an issue to them is losing their power, and if that means using you as a pawn, you better believe they will!

The point of this article is simple, Hip Hop has been hijacked before and without doubt it will be attempted again, but we must all learn from the mistakes that have already cost countless lives in poverty stricken areas and forever retain our current mentality of truth, knowledge and respect towards each other in order to prevent any further corruption of our collective consciousness.

Salute always…

Words by MystaKarta – follow him on Twitter!  @Mystakarta